The rise of Buddhism in Tibet is very contradictory, but many sources say that the first official introduction of Buddhist scriptures into Tibet occurred during the reign of the 28th King of the Yarlung Kingdom (about 500 AD). This book was not translated into Tibetan until the reign of King Songtsen Gambo (b. 617), the 33rd King of Tibet.
King Songtsen Gampo,
The king married two wives from neighbouring countries, in addition to his three Tibetan wives, one from Nepal and one from China. Two princesses brought precious Buddha statues as dowry to Lhasa. They built temples to house these Buddha statues. Jokhang Temple was built by Princess Brekuti of Nepal, and Ramche Temple was built by Princess Wencheng of China. This marked the introduction of Buddhism to Tibet.
After the late 8th century, Tibet actively promoted Buddhism with royal support. Trisong Detsen, the 37th Tibetan king, invited the Indian master Padmasambhava, Śāntarakṣita, and Vimalamitra to Tibet. They established the first Buddhist monastery, Samye, and initiated large-scale translation of Buddhist scriptures. Additionally, Indian scholars such as Kamalashila were invited to translate these scriptures into Tibetan. These efforts greatly contributed to the firm establishment of Buddhism in Tibet, as the presence of the Sangha was deemed essential. In 792, King Trisong Detsen officially declared Indian Buddhism as the state religion of Tibet after a profound philosophical debate.
Guru Padmasambhava
Padmasambhava, a Maha Yogi from the Hindu Kush, provided an extensive introduction to the esoteric significance of Mahayana. It involves harnessing concealed power for liberation and to evade ceaseless rebirth. This approach also entails a Shamanistic methodology with novel objectives. Upon overpowering all the Bon magicians, Padmasambhava effectively transformed belief in Tibet, triumphing over them individually.
On impulse, the Great Samye Monastery was built around 775. Taking the classic Indian tradition, the Nalanda tradition as an idol, many temples were built between Lhasa and the Yarlung Valley. There are hundreds of meditation caves across Tibet and Himalayan kingdoms. It is believed that due to his visit, these hermits and caves can still be visited and operated by local yogis and meditators.
Deline and revival
Buddhism is almost disappeared when Langya King brutally persecuted it in 842 AD. For a long time, there was no ordination or central religious authority in Tibet, but the primitive Bon religion prevailed. With the help of Tibetan monks studying in India, Buddhism was revived with the help of the Guge King Yeshi.
The revival occurred in 1042 when Atisha Dipamkara (Jowo Je) introduced Buddhist philosophy, which became the foundation of philosophical teachings in most Tibetan traditions. After Atisha, the influence of the Indian master was limited. Drom Tonpa, the main disciple of Atisha, founded Kadam, which greatly impacted the Kagyu, Sakya, and Gelug traditions.
Tibetan Buddhism carefully reflects the Buddhism that existed in India around the 11th century. Many Tibetan masters rejected the term Lamaism because it showed that Tibetan teachers developed their own forms of Buddhism. Since the beginning of Buddhism in Tibet, the Tibetan Bon religion has become a more influential religion. Prayer flags and incense may have been spread from the Bon religion.
Not only foreign influences, but Tibetan master also promoted the development of Buddhism, and gradually developed into four different sects in different periods: the Nyingma school founded by Guru Padmasambhava, Atisha and his Tibetan disciples Dromtonpa introduce Kadampa. The Kagyu Sect is founded Marba and Milarepa, the Sakya Sect founded by Khon Kunchok Gyalpo and Je Tsongkhapa founded the Gelug sect.
https://tourtraveltibet.com/tibetan-buddhism/
In ancient times, the Tibetan ancestor quickly built a large shelter to protect the common people from storms. They were then invited to build houses for the Gods in heaven, after becoming the Big Dipper. This shows how Tibetans developed their architectural skills and way of living through their struggle against natural disasters.
During the Tubo period, the first palace, Yumbu Lhakhang, was constructed on a small hill in the Yarlong Valley. Subsequently, the following rulers built a series of palaces including Chingwa Taktse Palace and Potala Palace. In the time of Trisong Detsan, the first Samye Monastery was built based on the Buddhist belief system. This grand monastery, adorned with statues of Buddha, ceremonial practices, and monks, laid the foundation for Tibetan housing style and construction.
Yak Hair Tents
In the pasture, people reside in yak hair tents. They spin the yak hair into thread and weave it into striped cloth, which is sewn together to form a square tent. This type of tent is supported by eight pillars and measures approximately 20 square meters with a height of 1.7 meters. The top of the tent has a ventilated opening to release smoke and heat, while also providing protection from wind and rain when closed. The front of the tent has a pull string attached to the door curtain, allowing for air circulation on hot days. Despite its simplicity, the yak hair tent is durable and capable of withstanding wind and snowstorms. Additionally, it is easy to assemble and disassemble, making it suitable for the herdsman's lifestyle.
Traditional houses in Southern Tibet
Traditionally, Tibetan homes have designated seating for men and women. In southern Tibet, houses have flat roofs with stone bungalows and wooden columns. The roofs are surrounded by parapet walls and decorated with scripture streamers during the New Year. Each house has an incense burner and a Buddha niche for protection. The layout includes a central scripture hall, living rooms on either side, and a kitchen near the living areas. Additional structures like tool rooms and animal pens are found within the courtyard.
Houses in Forest regions
In the forested regions of eastern Tibet, villages are typically situated halfway up hillsides. The local materials are gathered to construct wooden houses, featuring log walls and pitched roofs covered in wooden tiles. In the Kongpo area, houses usually have irregular stone walls. Generally, these houses consist of two storeys, with access to the upper storey provided by a wooden ladder. The upper storey is typically used for living, while the lower storey is used for livestock. The main room is located behind the entrance door and contains a cooking range measuring 1 square meter. The entire family gathers around the cooking range for meals and warmth. As the central hub of activity, the cooking range is also where guests are offered tea and engage in conversation.
Traditional Tibetan houses have unique and distinct characteristics. In the southern valley area of Tibet, people reside in castle-like houses, while those in the northern pastoral area live in tents. Along the Yarlung Tsangbo River in the forest area, people inhabit distinctive and diverse wooden buildings. In the Ali plateau, cave dwellings are commonly used as residences. These Tibetan residential buildings have a rich history, with architectural remnants dating back as early as 4,000 years ago among the Kanuo New Stone Age relics. Some notable examples of local architectural features include:
Castle-like house
Houses made of earth, stone, and wood in Lhasa, Shigaze, Chamdo, and nearby villages are known as "castles" by locals. These are iconic structures in Tibet, resembling castles with their simple yet majestic stone-wood design. The inward-sloping walls add stability, even when built close to hillsides. These houses are usually two to three stories high and have circular corridors inside. They provide both shelter from the elements and a defense against the harsh climate.
The castle-like house has two stories with rooms separated by columns. The ground floor is a stable and store-room at a low height. The second floor is the living quarters, consisting of a larger living room, bedroom, kitchen, storage room, or stairs room. If there is a third floor, it is often used as a hall for chanting Buddhist scriptures or as a place for drying clothes. A well is always present in the yard, with the lavatory located in the corner. In the rural area of Shannan, people often add a sliding door to the outer corridor to maximize room usage, reflecting their love for outdoor activities and making their buildings distinct. Farmers not only design their living room, kitchen, storage room, and yard well, but also arrange their barns for animals and the lavatory location to ensure maximum functionality. These buildings have distinct features such as square living rooms, composite furniture, and low-storey heights. Most living rooms consist of four 2X2 meter units, covering a total area of 16 square meters. The furniture includes cushion beds, small square tables, and Tibet cupboards that are short, multifunctional, and easy to assemble. The furniture is often arranged along the walls to maximize space utilization. Residential buildings are primarily constructed using wood, earth, and stone. The adobe walls are typically 40 to 50 centimetres thick, while stone walls range from 50 to 80 centimetres in thickness. The roofs are flat and covered with Aga earth, providing insulation in both winter and summer and making them suitable for the plateau climate.
Houses in Eastern Tibet
Residential buildings in the eastern forest area have a unique style. The houses in Nyingzhi consist of a living room/kitchen, storage room, stables, outer corridor, lavatory, and an independent courtyard. The rooms are square or rectangular, composed of smaller units. Furniture and beds are placed around the fireplace. The building's height ranges from 2 to 2.2 meters. Due to the abundant rain in the forest area, most houses have sloped roofs, which provide storage space for forage and other items. Forest dwellers rely on local resources, resulting in predominantly wooden structures. Walls are constructed using stone, slate, cobble, and lumber, as well as thin bamboo and wicker strips. Roofs are covered tightly with wooden tiles secured by stones.
Tent
Common tents are small and elegant, with a square or rectangular base. To set up a tent, people use sticks to create a two-meter high frame, which is then covered with black yak felt, with a 15cm wide and 1.5m long gap in the middle for smoke to escape and sunlight to enter. The tent is secured to the ground with yak wool ropes. Inside the tent, a 50cm high wall made of grass-earth blocks, earth blocks, or stones is built, on which barley, butter bags, or yak dung (fuels) are placed. The tent is sparsely furnished, with minimal furniture. Near the entrance of the tent, an earthy fireplace is set up, and behind it is a worship area with a Buddha statue. People often lay a sheepskin rug on the floor for rest or sleep. Overall, pitching and dismantling a tent is easy due to its simple structure.
Cave dwelling
In Ali, houses are typically detached. They are constructed with earth and wood, reaching a maximum of two stories. During summer, people reside on the second floor. However, when winter arrives, they move down to the first floor as it offers more warmth. While most individuals live in houses, there are still some who prefer cave dwellings. These dwellings are often built alongside hills or mountains and come in various shapes such as square, round, or rectangular. The majority of cave dwellings have a square layout, measuring 16 square meters, with a height ranging from 2 to 2.2 meters and a flat ceiling. Cave dwellings are a distinct type of residential structure found on the Tibetan plateau.
https://tourtraveltibet.com/tibetan-house/
During the Tubo period, the first palace, Yumbu Lhakhang, was constructed on a small hill in the Yarlong Valley. Subsequently, the following rulers built a series of palaces including Chingwa Taktse Palace and Potala Palace. In the time of Trisong Detsan, the first Samye Monastery was built based on the Buddhist belief system. This grand monastery, adorned with statues of Buddha, ceremonial practices, and monks, laid the foundation for Tibetan housing style and construction.
Yak Hair Tents
In the pasture, people reside in yak hair tents. They spin the yak hair into thread and weave it into striped cloth, which is sewn together to form a square tent. This type of tent is supported by eight pillars and measures approximately 20 square meters with a height of 1.7 meters. The top of the tent has a ventilated opening to release smoke and heat, while also providing protection from wind and rain when closed. The front of the tent has a pull string attached to the door curtain, allowing for air circulation on hot days. Despite its simplicity, the yak hair tent is durable and capable of withstanding wind and snowstorms. Additionally, it is easy to assemble and disassemble, making it suitable for the herdsman's lifestyle.
Traditional houses in Southern Tibet
Traditionally, Tibetan homes have designated seating for men and women. In southern Tibet, houses have flat roofs with stone bungalows and wooden columns. The roofs are surrounded by parapet walls and decorated with scripture streamers during the New Year. Each house has an incense burner and a Buddha niche for protection. The layout includes a central scripture hall, living rooms on either side, and a kitchen near the living areas. Additional structures like tool rooms and animal pens are found within the courtyard.
Houses in Forest regions
In the forested regions of eastern Tibet, villages are typically situated halfway up hillsides. The local materials are gathered to construct wooden houses, featuring log walls and pitched roofs covered in wooden tiles. In the Kongpo area, houses usually have irregular stone walls. Generally, these houses consist of two storeys, with access to the upper storey provided by a wooden ladder. The upper storey is typically used for living, while the lower storey is used for livestock. The main room is located behind the entrance door and contains a cooking range measuring 1 square meter. The entire family gathers around the cooking range for meals and warmth. As the central hub of activity, the cooking range is also where guests are offered tea and engage in conversation.
Traditional Tibetan houses have unique and distinct characteristics. In the southern valley area of Tibet, people reside in castle-like houses, while those in the northern pastoral area live in tents. Along the Yarlung Tsangbo River in the forest area, people inhabit distinctive and diverse wooden buildings. In the Ali plateau, cave dwellings are commonly used as residences. These Tibetan residential buildings have a rich history, with architectural remnants dating back as early as 4,000 years ago among the Kanuo New Stone Age relics. Some notable examples of local architectural features include:
Castle-like house
Houses made of earth, stone, and wood in Lhasa, Shigaze, Chamdo, and nearby villages are known as "castles" by locals. These are iconic structures in Tibet, resembling castles with their simple yet majestic stone-wood design. The inward-sloping walls add stability, even when built close to hillsides. These houses are usually two to three stories high and have circular corridors inside. They provide both shelter from the elements and a defense against the harsh climate.
The castle-like house has two stories with rooms separated by columns. The ground floor is a stable and store-room at a low height. The second floor is the living quarters, consisting of a larger living room, bedroom, kitchen, storage room, or stairs room. If there is a third floor, it is often used as a hall for chanting Buddhist scriptures or as a place for drying clothes. A well is always present in the yard, with the lavatory located in the corner. In the rural area of Shannan, people often add a sliding door to the outer corridor to maximize room usage, reflecting their love for outdoor activities and making their buildings distinct. Farmers not only design their living room, kitchen, storage room, and yard well, but also arrange their barns for animals and the lavatory location to ensure maximum functionality. These buildings have distinct features such as square living rooms, composite furniture, and low-storey heights. Most living rooms consist of four 2X2 meter units, covering a total area of 16 square meters. The furniture includes cushion beds, small square tables, and Tibet cupboards that are short, multifunctional, and easy to assemble. The furniture is often arranged along the walls to maximize space utilization. Residential buildings are primarily constructed using wood, earth, and stone. The adobe walls are typically 40 to 50 centimetres thick, while stone walls range from 50 to 80 centimetres in thickness. The roofs are flat and covered with Aga earth, providing insulation in both winter and summer and making them suitable for the plateau climate.
Houses in Eastern Tibet
Residential buildings in the eastern forest area have a unique style. The houses in Nyingzhi consist of a living room/kitchen, storage room, stables, outer corridor, lavatory, and an independent courtyard. The rooms are square or rectangular, composed of smaller units. Furniture and beds are placed around the fireplace. The building's height ranges from 2 to 2.2 meters. Due to the abundant rain in the forest area, most houses have sloped roofs, which provide storage space for forage and other items. Forest dwellers rely on local resources, resulting in predominantly wooden structures. Walls are constructed using stone, slate, cobble, and lumber, as well as thin bamboo and wicker strips. Roofs are covered tightly with wooden tiles secured by stones.
Tent
Common tents are small and elegant, with a square or rectangular base. To set up a tent, people use sticks to create a two-meter high frame, which is then covered with black yak felt, with a 15cm wide and 1.5m long gap in the middle for smoke to escape and sunlight to enter. The tent is secured to the ground with yak wool ropes. Inside the tent, a 50cm high wall made of grass-earth blocks, earth blocks, or stones is built, on which barley, butter bags, or yak dung (fuels) are placed. The tent is sparsely furnished, with minimal furniture. Near the entrance of the tent, an earthy fireplace is set up, and behind it is a worship area with a Buddha statue. People often lay a sheepskin rug on the floor for rest or sleep. Overall, pitching and dismantling a tent is easy due to its simple structure.
Cave dwelling
In Ali, houses are typically detached. They are constructed with earth and wood, reaching a maximum of two stories. During summer, people reside on the second floor. However, when winter arrives, they move down to the first floor as it offers more warmth. While most individuals live in houses, there are still some who prefer cave dwellings. These dwellings are often built alongside hills or mountains and come in various shapes such as square, round, or rectangular. The majority of cave dwellings have a square layout, measuring 16 square meters, with a height ranging from 2 to 2.2 meters and a flat ceiling. Cave dwellings are a distinct type of residential structure found on the Tibetan plateau.
https://tourtraveltibet.com/tibetan-house/
Shalu temple is located in Shigatse City, 26 km away from Shigatse, with an altitude of more than 3850 meters.
Jetsun Sherab Jungnay founded the Shalu monastery in 1087. Shalu in Tibetan, it means new bud. The site selection of the temple is based on the arrow landing. The arrow falls in the field where the crops just grow.
In 1320, Buton Rinpoche became abbot of the monastery. Buton was one of the greatest religious scholars of his time. His knowledge covered a wide range of religious subjects. So did the library that he assembled. He brought together 108 volumes of the fundamental texts of Buddhism, including the Kanjur and Tenjur sutras, plus 200 volumes of "treaties and commentaries". Over 3,000 monks were attracted to his teachings.
Shalu Practice
Shalupa, also known as Butonpa, took form under Buton's leadership. Shalupa included magical feats that monks learned to do. Some monks wore thin clothing in cold weather. They were able to raise their body temperatures to such a level that warm clothing was not needed. Other monks were able to run by leaping superhuman distances. covering long distances without rest.
The monastery is architecturally distinctive. In 1329, an earthquake destroyed the monastery. In 1333, Buton rebuilt it under the patronage of the Mongolian emperor. Since many Chinese Han artisans participated in rebuilding the monastery, combining the local Tibetan style with that of the Yuan Dynasty.
Shalu Lakhang
Shalu Lakhang is the central hall of the monastery with Other buildings of the monastery surrounded it. On the ground floor, the Tschomchen (also a hall) enshrines Sakyamuni and his disciples. The chapels flanking the Tschomchen houses Tangyur and Kagyur, two very important sutras of Tibetan Buddhism.
Chapels on the roof floor are of typical Chinese blue tile design. The chapels enshrine Sakyamuni, Shalu Monastery's own Buton, and the Arhats. Arhats are those who have attained enlightenment, but whose rank and power is lower than that of a Buddha. Massive, delicately painted murals cover the walls of the monastery. Most of the murals depict stories from the life of the Buddha. The murals badly need restoration to preserve and protect them.
Four Religious treasures of Shalu Monastery
First is a sutra board. During the construction of the temple, 108 small wooden boards were used to form a square, and each board was engraved with Scripture. A passage is composed of 108 tablets. which is 700 years old and impossible to be reassembled if it is ever broken apart. It is believed to bring good luck.
The second treasure is a brass urn. a large copper altar with a diameter of 80 cm is displayed in the southeast corner of the Sutra hall. It is said that the water in this altar is changed once every 12 years. When the water is changed, people can get the "holy water" in this altar, which is auspicious. and can also clean 10 kinds of dirt. It contains holy water that can cleanse away the 108 filths of human existence. The urn is usually sealed and covered with red cloth.
The third treasure is a stone basin that was once Chetsun Sherab Jungnay's washbasin. It is placed in front of the main hall. It's amazing that rain doesn't overflow when it's full.
The fourth treasure is a stone tablet on which the mantra "om mani Padme Hum" is written and four Pagodas are carved. It was discovered during the original construction of the monastery.
In 1988, Shalu Monastery was announced as the third batch of national key cultural relics protection units by the State Council.
There are a large number of historical relics such as murals, Buddha statues, scriptures, thangkas and magic weapons in Xialu temple
https://tourtraveltibet.com/shalu-monastery/
Jetsun Sherab Jungnay founded the Shalu monastery in 1087. Shalu in Tibetan, it means new bud. The site selection of the temple is based on the arrow landing. The arrow falls in the field where the crops just grow.
In 1320, Buton Rinpoche became abbot of the monastery. Buton was one of the greatest religious scholars of his time. His knowledge covered a wide range of religious subjects. So did the library that he assembled. He brought together 108 volumes of the fundamental texts of Buddhism, including the Kanjur and Tenjur sutras, plus 200 volumes of "treaties and commentaries". Over 3,000 monks were attracted to his teachings.
Shalu Practice
Shalupa, also known as Butonpa, took form under Buton's leadership. Shalupa included magical feats that monks learned to do. Some monks wore thin clothing in cold weather. They were able to raise their body temperatures to such a level that warm clothing was not needed. Other monks were able to run by leaping superhuman distances. covering long distances without rest.
The monastery is architecturally distinctive. In 1329, an earthquake destroyed the monastery. In 1333, Buton rebuilt it under the patronage of the Mongolian emperor. Since many Chinese Han artisans participated in rebuilding the monastery, combining the local Tibetan style with that of the Yuan Dynasty.
Shalu Lakhang
Shalu Lakhang is the central hall of the monastery with Other buildings of the monastery surrounded it. On the ground floor, the Tschomchen (also a hall) enshrines Sakyamuni and his disciples. The chapels flanking the Tschomchen houses Tangyur and Kagyur, two very important sutras of Tibetan Buddhism.
Chapels on the roof floor are of typical Chinese blue tile design. The chapels enshrine Sakyamuni, Shalu Monastery's own Buton, and the Arhats. Arhats are those who have attained enlightenment, but whose rank and power is lower than that of a Buddha. Massive, delicately painted murals cover the walls of the monastery. Most of the murals depict stories from the life of the Buddha. The murals badly need restoration to preserve and protect them.
Four Religious treasures of Shalu Monastery
First is a sutra board. During the construction of the temple, 108 small wooden boards were used to form a square, and each board was engraved with Scripture. A passage is composed of 108 tablets. which is 700 years old and impossible to be reassembled if it is ever broken apart. It is believed to bring good luck.
The second treasure is a brass urn. a large copper altar with a diameter of 80 cm is displayed in the southeast corner of the Sutra hall. It is said that the water in this altar is changed once every 12 years. When the water is changed, people can get the "holy water" in this altar, which is auspicious. and can also clean 10 kinds of dirt. It contains holy water that can cleanse away the 108 filths of human existence. The urn is usually sealed and covered with red cloth.
The third treasure is a stone basin that was once Chetsun Sherab Jungnay's washbasin. It is placed in front of the main hall. It's amazing that rain doesn't overflow when it's full.
The fourth treasure is a stone tablet on which the mantra "om mani Padme Hum" is written and four Pagodas are carved. It was discovered during the original construction of the monastery.
In 1988, Shalu Monastery was announced as the third batch of national key cultural relics protection units by the State Council.
There are a large number of historical relics such as murals, Buddha statues, scriptures, thangkas and magic weapons in Xialu temple
https://tourtraveltibet.com/shalu-monastery/
Following are some simple and very useful Tibetan greeting words. when you traveling in tibet, these word can help you a lot in many situations. especially if you travel remote and far away place from town and cities
Please install Microsoft Himalayas font for viewing Tibetan Translation.
- Hello: tashi deleg བཀྲ་ཤིས་བདེ་ལེགས།
- How are you? : keh-rang ku-su de-bo yin-peh? ཁྱེད་རང་སྐུ་གཟུགས་བདེ་པོ་ཡིན་པས།
- Good-bye: kah-leh phe ག་ལེར་ཕེབས་ཨ།
- See you later: Jay ma jal yong རྗེས་མ་མཇལ་ཡོང་
- I'm Sorry : Gong ma tsom rok དགོངས་ན་མ་འཚོམ་རོགས།
- You're Welcome : kay-nang-gi-ma-ray གལ་གནང་གི་་མ་རེད།
- What is your name?: Ming la Garey Ser kyi yoe? ཁྱེད་རང་མིང་ལ་ག་རེ་ཟེར་ཀྱི་ཡོད།
- My name is …. : Ngah…… yin. ངའི་མིང་ལ་ ...... ཟེར།
Pronouns and relations
- I : ngah ང་
- You : keh-rahng ཁྱེད་རང་
- he/she: khong-rahng ཁོང་རང་
Directions and transportation
- left : Yon la གཡས་ལ་
- right : Yay la གཡོན་ལ་
- go straight ahead : kar duk paeb ཁར་ཐུག་ཕེབས།
- bus: Moda མོ་ཊ་
- bus station: moda-babtsuk མོ་ཊ་འབབ་ཚུགས།
Places
- hotel: Donkhang འགྲོན་ཁང་
- gas station: Noom Luk Sa སྣུམ་བླུགས་ས།
- bank : Ngul khang དངུལ་ཁང་
- monastery: Gompa དགོན་པ།
- hospital: men-khang སྨན་ཁང་
Shopping
- price: Gong Zay གོང་ཚད་
- expensive : Gong- Chen Po གོང་ཆེན་པོ་
- cheap : Gong Kay Po གོང་ཁེ་པོ་
- money : Pay-xia པད་ཤག་
- What is this? : Dee Gare ray? འདི་ག་རེ་རེད།
- How much: Ga Tsoe Ray ག་ཚོད་རེད།
- I will take it: Nga la Go Yoe ང་ལ་དགོས་ཡོད་
- I will leave it : Nga la Mo Go ང་ལ་མི་དགོས།
Time and days
- daytime: Nyin Mai Gung ཉིན་མའི་དགུང་
- night : Tsen Nak Gong མཚན་ནག་དགོང་
- yesterday : kay sa ཁ་སང་
- today : Di-ring དེ་རིང་
- tomorrow : Sang Nyin སང་ཉིན།
- morning: Shok gai ཞོགས་ཀས།
- noon : Nying Gong ཉིན་དགུང་
https://tourtraveltibet.com/tibetan-greeting/
Please install Microsoft Himalayas font for viewing Tibetan Translation.
- Hello: tashi deleg བཀྲ་ཤིས་བདེ་ལེགས།
- How are you? : keh-rang ku-su de-bo yin-peh? ཁྱེད་རང་སྐུ་གཟུགས་བདེ་པོ་ཡིན་པས།
- Good-bye: kah-leh phe ག་ལེར་ཕེབས་ཨ།
- See you later: Jay ma jal yong རྗེས་མ་མཇལ་ཡོང་
- I'm Sorry : Gong ma tsom rok དགོངས་ན་མ་འཚོམ་རོགས།
- You're Welcome : kay-nang-gi-ma-ray གལ་གནང་གི་་མ་རེད།
- What is your name?: Ming la Garey Ser kyi yoe? ཁྱེད་རང་མིང་ལ་ག་རེ་ཟེར་ཀྱི་ཡོད།
- My name is …. : Ngah…… yin. ངའི་མིང་ལ་ ...... ཟེར།
Pronouns and relations
- I : ngah ང་
- You : keh-rahng ཁྱེད་རང་
- he/she: khong-rahng ཁོང་རང་
Directions and transportation
- left : Yon la གཡས་ལ་
- right : Yay la གཡོན་ལ་
- go straight ahead : kar duk paeb ཁར་ཐུག་ཕེབས།
- bus: Moda མོ་ཊ་
- bus station: moda-babtsuk མོ་ཊ་འབབ་ཚུགས།
Places
- hotel: Donkhang འགྲོན་ཁང་
- gas station: Noom Luk Sa སྣུམ་བླུགས་ས།
- bank : Ngul khang དངུལ་ཁང་
- monastery: Gompa དགོན་པ།
- hospital: men-khang སྨན་ཁང་
Shopping
- price: Gong Zay གོང་ཚད་
- expensive : Gong- Chen Po གོང་ཆེན་པོ་
- cheap : Gong Kay Po གོང་ཁེ་པོ་
- money : Pay-xia པད་ཤག་
- What is this? : Dee Gare ray? འདི་ག་རེ་རེད།
- How much: Ga Tsoe Ray ག་ཚོད་རེད།
- I will take it: Nga la Go Yoe ང་ལ་དགོས་ཡོད་
- I will leave it : Nga la Mo Go ང་ལ་མི་དགོས།
Time and days
- daytime: Nyin Mai Gung ཉིན་མའི་དགུང་
- night : Tsen Nak Gong མཚན་ནག་དགོང་
- yesterday : kay sa ཁ་སང་
- today : Di-ring དེ་རིང་
- tomorrow : Sang Nyin སང་ཉིན།
- morning: Shok gai ཞོགས་ཀས།
- noon : Nying Gong ཉིན་དགུང་
https://tourtraveltibet.com/tibetan-greeting/
The Qinghai Lake is already majestic regardless of the season, but it sparkles even more during the spring and summer seasons, once the ice that covers the waters has already melted. It is during this time that thousands upon thousands of birds would drop by the area to feed and even to lay eggs.
The Bird Island (鸟岛) is found on the northwest portion of the lake. It sits very close to the Buhahe Delta. Different kinds of birds from around Asia consider the island as its home for a few weeks as it has become a very essential migration route for them. The lake, nevertheless, is very ideal. There’s plenty of grass, as well as water. The waters are also teeming with fish, which can be a source of food for a number of them. At the height of their migration, the total number of birds, which can include seagulls and cormorants, can swell to around 10,000. The island is around a kilometer only, but it is subdivided into two sections. One of these is the Haixi Shan, also known as the Egg Island, since it’s a favorite spot for the birds to lay their eggs.
The best month to visit the island is from March to the early weeks of June. The peak, meanwhile, is somewhere around April to May. The lake is highly accessible, and the trip to the island can just be a day trip. Nevertheless, there are accommodation options around. The island as well as the lake is also located in a high altitude, so it’s possible to suffer from altitude sickness the longer you stay here. Bird Island is also now a nature’s reserve, so you may no longer be allowed to touch the birds or transport the eggs, though you’re still welcome to visit and take photos.
Address: northwest of Qinghai Lake, around Buhahe Delta, Qinghai
Admission Fee: CNY 60 (August 21 to April 19), CNY 110 (April 20 to August 20)
Operating Hours: 7:10 a.m. to 6:00 p.m.
How to Get There: Take a sightseeing bus from Xining bus station.
https://bit.ly/3Z1qZOG
The Bird Island (鸟岛) is found on the northwest portion of the lake. It sits very close to the Buhahe Delta. Different kinds of birds from around Asia consider the island as its home for a few weeks as it has become a very essential migration route for them. The lake, nevertheless, is very ideal. There’s plenty of grass, as well as water. The waters are also teeming with fish, which can be a source of food for a number of them. At the height of their migration, the total number of birds, which can include seagulls and cormorants, can swell to around 10,000. The island is around a kilometer only, but it is subdivided into two sections. One of these is the Haixi Shan, also known as the Egg Island, since it’s a favorite spot for the birds to lay their eggs.
The best month to visit the island is from March to the early weeks of June. The peak, meanwhile, is somewhere around April to May. The lake is highly accessible, and the trip to the island can just be a day trip. Nevertheless, there are accommodation options around. The island as well as the lake is also located in a high altitude, so it’s possible to suffer from altitude sickness the longer you stay here. Bird Island is also now a nature’s reserve, so you may no longer be allowed to touch the birds or transport the eggs, though you’re still welcome to visit and take photos.
Address: northwest of Qinghai Lake, around Buhahe Delta, Qinghai
Admission Fee: CNY 60 (August 21 to April 19), CNY 110 (April 20 to August 20)
Operating Hours: 7:10 a.m. to 6:00 p.m.
How to Get There: Take a sightseeing bus from Xining bus station.
https://bit.ly/3Z1qZOG
Over the centuries, Tibetan calligraphy has greatly evolved, incorporating various writing styles. The two most commonly used styles are U-Chen and U-me. U-Chen, also known as the "Cristated script," features a horizontal stroke at the top of each letter, with all these strokes parallel to the first top line, giving it a flat cap appearance.
While U-Chen is often associated with printing books, it is also used in handwriting for note-taking and composition writing. In contrast, U-me, known as the "non-Cristated script," does not require a horizontal line on top of the letters. The main difference between U-Chen and U-me is the presence or absence of the flat cap.
The Jongs style is considered the epitome of the U-Chen script, characterized by its solemn and elegant features. This script employs horizontal, vertical, oblique, and curved lines, with each type of stroke having consistent height, length, pitch, and curve. The writing should appear plump and uniform, with regular spacing between letters, avoiding the use of dotted lines. Consequently, the written text appears orderly and formal, akin to a procession of esteemed guards.
U-me style has seven writing scripts
(1) Petsug script
Petsug is a solemn script used for writing Buddhist texts. When the bottoms of all the letters are neatly cut at the same level, it is known as "neat bottom script". If the roots of the letters are lengthened with a slight hook stroke, it is referred to as "lengthened root style". Additionally, there is a combination of Petsug and Drugtsa known as "Petsug script". Petsug was widely used in Tibet before the introduction of block printing. Numerous ancient Buddhist texts in the Sakya Monastery were written in Petsug and it continues to be popular to this day.
(2) Drugtsa script
Drugtsa, meaning "grain-shaped," is a script whose main bodies resemble grains. Its vowel writing is akin to Petsug. Drugtsa can be written using long-leg and short-leg letters, with the long-leg style further divided into curved-leg and straight-leg styles. The curved-leg style emerged during the reign of the Sakya Monarch, when official documents, notices, and inscriptions were all written in Drugtsa. An example of this is a preserved ancient royal inscription from the Yuan dynasty in Shandong province.
(3) Tsugring script
Tsugring, also known as the "tall and stable style," is a form of Tibetan writing characterized by a height of approximately two or three inches. The main body of the text occupies about one inch. In Tsugring, words are written within four lines. The top three lines form the main frame of the word, while the fourth line marks the end of the word's roots. Practising Tsugring is often the starting point for learning Tibetan writing, as it provides a solid foundation for other script types. Throughout history, calligraphers have created copybooks in Tsugring for children to emulate. One notable calligrapher is Kabab, who served as the secretary for the 13th Dalai Lama. His writings were established as the standard Tsugring copybook for the monastery school in Potala Palace during the 1930s.
(4) Tsugtong script
Tsugtong is the “small and stable style”. It has a structure similar to that of the Tsugring, but with smaller letters, plump main bodies and wider gaps between the words.
(5) Khyuying script
Khyuying is a swift and efficient writing style, also known as the cursive hand. It is a contemporary form derived from Tsugring, specifically developed for rapid information recording. Its introduction marks the advancement of Tibetan calligraphy, requiring mastery of other Tibetan scripts to write Khyuying proficiently.
(6) Tsugkhyu script
Tsugkhyu script combines the solemnity and stability of Tsugtong with the cursive beauty of Khyuying, creating its own unique artistic taste and style. Learning some basic Tibetan words and expressions can be fascinating. Here are a few for your reference.
https://bit.ly/45SenvG
While U-Chen is often associated with printing books, it is also used in handwriting for note-taking and composition writing. In contrast, U-me, known as the "non-Cristated script," does not require a horizontal line on top of the letters. The main difference between U-Chen and U-me is the presence or absence of the flat cap.
The Jongs style is considered the epitome of the U-Chen script, characterized by its solemn and elegant features. This script employs horizontal, vertical, oblique, and curved lines, with each type of stroke having consistent height, length, pitch, and curve. The writing should appear plump and uniform, with regular spacing between letters, avoiding the use of dotted lines. Consequently, the written text appears orderly and formal, akin to a procession of esteemed guards.
U-me style has seven writing scripts
(1) Petsug script
Petsug is a solemn script used for writing Buddhist texts. When the bottoms of all the letters are neatly cut at the same level, it is known as "neat bottom script". If the roots of the letters are lengthened with a slight hook stroke, it is referred to as "lengthened root style". Additionally, there is a combination of Petsug and Drugtsa known as "Petsug script". Petsug was widely used in Tibet before the introduction of block printing. Numerous ancient Buddhist texts in the Sakya Monastery were written in Petsug and it continues to be popular to this day.
(2) Drugtsa script
Drugtsa, meaning "grain-shaped," is a script whose main bodies resemble grains. Its vowel writing is akin to Petsug. Drugtsa can be written using long-leg and short-leg letters, with the long-leg style further divided into curved-leg and straight-leg styles. The curved-leg style emerged during the reign of the Sakya Monarch, when official documents, notices, and inscriptions were all written in Drugtsa. An example of this is a preserved ancient royal inscription from the Yuan dynasty in Shandong province.
(3) Tsugring script
Tsugring, also known as the "tall and stable style," is a form of Tibetan writing characterized by a height of approximately two or three inches. The main body of the text occupies about one inch. In Tsugring, words are written within four lines. The top three lines form the main frame of the word, while the fourth line marks the end of the word's roots. Practising Tsugring is often the starting point for learning Tibetan writing, as it provides a solid foundation for other script types. Throughout history, calligraphers have created copybooks in Tsugring for children to emulate. One notable calligrapher is Kabab, who served as the secretary for the 13th Dalai Lama. His writings were established as the standard Tsugring copybook for the monastery school in Potala Palace during the 1930s.
(4) Tsugtong script
Tsugtong is the “small and stable style”. It has a structure similar to that of the Tsugring, but with smaller letters, plump main bodies and wider gaps between the words.
(5) Khyuying script
Khyuying is a swift and efficient writing style, also known as the cursive hand. It is a contemporary form derived from Tsugring, specifically developed for rapid information recording. Its introduction marks the advancement of Tibetan calligraphy, requiring mastery of other Tibetan scripts to write Khyuying proficiently.
(6) Tsugkhyu script
Tsugkhyu script combines the solemnity and stability of Tsugtong with the cursive beauty of Khyuying, creating its own unique artistic taste and style. Learning some basic Tibetan words and expressions can be fascinating. Here are a few for your reference.
https://bit.ly/45SenvG
The Qinghai Lake (青海湖) or Lake Kokonor is one of the most celebrated natural attractions in Xining. It is a very large lake thatis located in the middle of Haibei and Hainan provinces. The waters are described to be both alkaline and saline. But it’s more known for its deep blue color. The lake itself covers more than 60 miles and the province where it belongs to is said to be the main source of the three great rivers that flow around Asia. The lake itself is connected to more than 20 streams and small rivers.
Although the lake itself is a beautiful attraction and is home to different types of fish, it’s the islands that form part of it that have gained worldwide recognition. It is where you can find Bird Island, which is a perfect area for avid bird watchers; the island has become one of the most important routes for these birds during migration. You can also find Mahadeya, which is a Buddhist island. It is a massive piece of land that takes over 20 days to circumnavigate by foot. Before, it cannot be reached during summer, only on winter when the lake freezes over. Throughout the year, though, the climate remains quite cool because of its very high altitude. Today it has become a pilgrimage site. The lake had been well-known ever since the inception of the Han Dynasty.
Travelers can also delight in the ever-changing backdrops around the lake. During spring and summer, the fields are coated with green and livestock can be found grazing—it’s an excellent picture of the simple lifestyle of the Tibetans. They can also pass through deserts and snow-capped mountains on the way to the lake. They may also visit the old road walked by the Tang-tubo or even ride a yak.
Address: Gangcha County, Xining
Admission Fee: CNY 50 (October 16 to April 15), CNY 100 (April 16 to October 15)
Operating Hours: 8:30 a.m. to 5:30 p.m.
https://bit.ly/3szUBXr
Although the lake itself is a beautiful attraction and is home to different types of fish, it’s the islands that form part of it that have gained worldwide recognition. It is where you can find Bird Island, which is a perfect area for avid bird watchers; the island has become one of the most important routes for these birds during migration. You can also find Mahadeya, which is a Buddhist island. It is a massive piece of land that takes over 20 days to circumnavigate by foot. Before, it cannot be reached during summer, only on winter when the lake freezes over. Throughout the year, though, the climate remains quite cool because of its very high altitude. Today it has become a pilgrimage site. The lake had been well-known ever since the inception of the Han Dynasty.
Travelers can also delight in the ever-changing backdrops around the lake. During spring and summer, the fields are coated with green and livestock can be found grazing—it’s an excellent picture of the simple lifestyle of the Tibetans. They can also pass through deserts and snow-capped mountains on the way to the lake. They may also visit the old road walked by the Tang-tubo or even ride a yak.
Address: Gangcha County, Xining
Admission Fee: CNY 50 (October 16 to April 15), CNY 100 (April 16 to October 15)
Operating Hours: 8:30 a.m. to 5:30 p.m.
https://bit.ly/3szUBXr
Tibetans speak their own language, called "Bod-Yig" in Tibetan-inhabited areas, meaning "Tibetan language". It belongs to the Tibetan-Burman branch of the Sino-Tibetan language family and has three major local dialects: U-Tsang, Kham, and Amdo. The first two dialects have distinct tones in pronunciation, while the latter does not. The Tibetan language was created in the early 7th century and is a phonetic writing system based on the ancient Sanskrit language of India. It consists of thirty consonants, four vowels, five inverted letters (used for foreign words), and punctuation marks. Sentences are written from right to left. The Tibetan language is widely used in all regions inhabited by Tibetan people and has two main written scripts: the regular script and the cursive hand.
In 641 AD, Songtsen Gampo, the Emperor of Tibet, conquered neighbouring kingdoms and desired a well-structured Tibetan language. He sent Thomi Sambota to study the Indian language system, who later recreated the Tibetan structural language, contributing to the development of Tibetan culture. From the 10th to the 16th century, Tibetan culture experienced significant growth. Over the centuries, Tibetans have brought us not only the well-known Buddhist masterpieces, the Kangyur and the Tengyur, but also remarkable works in cadences, literature, philosophy, history, geography, arithmetic, calendar, medicine, and more.
Grammar in Tibetan
The Tibetan language is a complex system that relies on function words, word order, and various categories of words to express grammatical rules and convey meaning effectively. In addition to function words, auxiliary words derived from verbs also play a crucial role in the language, serving similar functions. Understanding the different types of words used in Tibetan is essential to grasp the nuances and intricacies of the language.
Tibetan words can be broadly classified into nine categories, each serving a distinct purpose in communication. These categories include nouns, verbs, numerals, adjectives, pronouns, conjunctions, adverbs, auxiliary words, and exclamations. Each category contributes to the richness and flexibility of the Tibetan language, allowing speakers to express their thoughts and emotions with precision. Verbs are one of the fundamental components of the Tibetan language. They describe actions, states, and processes. Just like in other languages, verbs in Tibetan can be conjugated to indicate tense, mood, and aspect. For example, verbs can be modified to convey past, present, future, and conditional tenses, enabling speakers to express events that have occurred, are happening, will happen, or may happen.
Verbs in Tibetan also undergo changes based on the subject and object of the sentence, adding further layers of complexity to the language. Adjectives are another significant category of words in Tibetan. They modify nouns and provide additional information about their qualities or characteristics.
Adjectives can express various attributes such as size, colour, shape, and emotions, enhancing the descriptive power of the language. Tibetan adjectives can be used to paint vivid pictures and evoke specific imagery in the minds of listeners or readers, making the language both expressive and engaging.
Numerals play a vital role in counting and quantifying objects or quantities in Tibet. They enable speakers to express quantities, measurements, and ordinal numbers. Tibetan numerals are unique and have their own symbols, distinct from the Arabic numerals commonly used in many other languages. This feature adds an element of cultural identity to the language, reflecting the rich heritage and traditions of the Tibetan people.
Auxiliary words are derived from verbs and serve as functional elements in Tibetan language. They assist in constructing complex sentence structures, expressing modality, and indicating relationships between different parts of speech. Auxiliary words in Tibetan contribute to the grammatical accuracy and coherence of sentences, ensuring clarity in communication. Understanding the various categories of words in Tibetan is essential for mastering the language. It allows speakers to form coherent sentences, express their thoughts and emotions, and engage in meaningful conversations.
By utilizing function words, word order, verbs, adjectives, numerals, and auxiliary words effectively, Tibetan speakers can convey their ideas with precision and elegance, enriching the beauty and charm of the language.
Verbs
Tibetan verbs are divided into transitive and intransitive verbs. Transitive verbs are used to construct simple Tibetan sentences and require an auxiliary word after the subject to match the verb. A typical Tibetan sentence follows the "subject-object-verb" order, a characteristic of transitive verbs. Tibetan verbs can also be classified as active or passive based on the subject's restriction on the verb. Active verbs may have the imperative form, while passive verbs do not.
Tibetan verbs consist of a root, which carries the verb's meaning, and an ending, which indicates tense. There are eight uses of Tibetan verbs to express different tenses and voices, including the present, past, future, perfect, progressive, and subjective mood. For the simplest and most common verb form, the root plus a specific ending can be used for the present and future tense. To form the past tense, replace the ending or add an auxiliary word.
Adjective
Tibetan adjectives play a crucial role in the language, serving two significant functions: modifying nouns and acting as predicative elements. By delving into the intricacies of these functions, we can gain a deeper understanding of the richness and complexity of Tibetan grammar. When an adjective is employed to modify a noun, it adds descriptive characteristics and provides additional information about the noun it is associated with. This modification allows for a more nuanced expression of ideas, allowing speakers to convey precise meanings and create vivid imagery. For example, if one were to say "beautiful flower" in Tibetan, the adjective "beautiful" would modify the noun "flower," creating a more evocative description.
On the other hand, Tibetan adjectives can also function as predicative elements. In this context, the adjective acts like an intransitive verb, expressing a quality or status directly related to the subject of the sentence. It is important to note that when used as a predicative adjective, Tibetan grammar dictates that it must be followed by an auxiliary word, rather than an object. This grammatical structure ensures clarity and coherence in sentence construction.
For instance, if one were stating "The sky is blue" in Tibetan, the adjective "blue" would serve as a predicative element, denoting the quality of the subject "sky." To form a grammatically correct sentence, the adjective "blue" would be accompanied by an auxiliary word, emphasizing the linking nature between the subject and the adjective. Understanding the intricacies of Tibetan adjectives not only allows for effective communication but also unveils the beauty of the language itself.
By utilizing adjectives, speakers can paint vivid mental pictures, evoke emotions, and provide a more precise representation of the world around them. The unique structure of Tibetan grammar, particularly when it comes to predicative adjectives, showcases the ingenuity and sophistication of the language, making it all the more captivating and intriguing for language enthusiasts and learners alike.
Numerals
Tibetan numerals, which adhere to the decimal system, possess a unique charm in their simplicity and elegance. With just one syllable, cardinal numbers effortlessly convey their numerical value. However, to express high-order numbers, such as hundred, thousand, ten thousand, a hundred thousand, ten million, and beyond, various words come into play, enriching the language and offering an intriguing glimpse into Tibetan culture.
In the realm of Tibetan numerals, each high-order number is represented by a distinct term. For instance, when the number reaches a hundred, the word "Gya" is uttered. It captures the essence of this significant milestone, adding depth and meaning to the numerical value. Moving forward, when the number climbs to a thousand, "Gsum" takes the centre stage, resonating with a sense of grandeur and magnitude. This word, like a melodic note, evokes images of vast landscapes, ancient traditions, and spiritual wisdom. As the numbers continue their ascent, another word emerges to represent ten thousand.
The term "chu" gracefully rolls off the tongue, carrying a weighty significance that transcends mere digits. It encapsulates the concept of abundance, prosperity, and limitless possibilities. The Tibetan people, with their deep-rooted spiritual beliefs, find solace and inspiration in the power of language to convey these profound intangibles. A hundred thousand, one of the higher-order numbers in the Tibetan numerical lexicon, is denoted by the word "Gya chu." As the syllables meld together in harmony, they paint a picture of vastness and infinite potential. This phrase, when spoken, echoes the whispers of ancient tales and the unity of a rich cultural heritage. It serves as a reminder of the resilience and strength of the Tibetan people, who have endured and thrived over the centuries.
When the numbers reach the pinnacle of ten million, the term "gong" reverberates with significance. Its resonance lingers in the air, symbolizing great magnitude and boundless energy. It is as if the Tibetan numerals, through their intricate web of words, invite us to explore the vastness of the universe and the interconnectedness of all things. Interestingly, in Tibetan numerals, the tens digit can be combined with the one's place number, resulting in a slight variation in pronunciation. This unique feature adds a layer of complexity and fluidity to the language, making it both intriguing and captivating. It allows for a seamless flow of numbers, effortlessly expressing numerical values while maintaining the elegance and simplicity that characterizes the Tibetan numerical system. I
n conclusion, Tibetan numerals not only follow the decimal system but also possess a distinct beauty in their representation of high-order numbers. Through the utilization of various words, each carrying its own significance, the Tibetan language captures the essence of magnitude, abundance, and unity. The combination of syllables in these words creates a symphony of meanings, inviting us to delve deeper into the rich cultural heritage and spiritual wisdom of the Tibetan people. With their unique pronunciation variations and fluidity, Tibetan numerals present a captivating linguistic journey that enthralls and engages the curious mind.
Auxiliary word
In the vast and intricate tapestry of the Tibetan language, auxiliary words play a crucial role in weaving together the threads of tense, relationships between sentence components, and even the subtle nuances of mood. These auxiliary words, like skilful artisans, add depth and intricacy to the linguistic fabric, enriching communication in ways that are both captivating and enlightening. One of the primary functions of auxiliary words in Tibetan is to indicate tense. With their skilled placement, these words can transport us through time, allowing us to vividly experience the past, present, and future within the confines of a single sentence.
By incorporating auxiliary words, speakers can effortlessly navigate temporal boundaries and effortlessly convey actions that have already occurred, are happening now, or are yet to come. This linguistic feature not only adds a layer of complexity to Tibetan but also enables the language to vividly depict the ebb and flow of time. Another captivating aspect of Tibetan auxiliary words lies in their ability to establish relationships between different components of a sentence. Just as a skilled conductor directs an orchestra, these words harmoniously guide sentence elements, ensuring perfect cohesion and clarity. They act as the glue that binds subjects, verbs, objects, and other sentence constituents, enabling the formation of intricate syntactic patterns.
By employing specific auxiliary words, Tibetan speakers can effortlessly convey the relationships between various elements, be it subjects and predicates, or adjectives and nouns, leading to a seamless flow of information and facilitating a deeper understanding of the message being conveyed. Moreover, auxiliary words in Tibetan possess the remarkable power to express a wide range of moods, from joy and excitement to doubt and uncertainty. Like an artist's brushstroke on a canvas, these words add shades of nuance and emotion to the linguistic landscape. They allow speakers to convey their thoughts and feelings with precision, painting vibrant pictures with words. Whether one wishes to express a sense of urgency, emphasize doubt, or evoke a feeling of surprise, Tibetan auxiliary words offer a rich palette of linguistic tools to create a compelling and engaging narrative.
In conclusion, the auxiliary words in the Tibetan language serve as indispensable tools for speakers to express tense, establish relationships between sentence components, and convey various moods. By deftly utilizing these linguistic gems, Tibetan speakers can navigate the intricacies of temporal boundaries, create seamless syntactic structures, and breathe life into their words, captivating listeners with the charm of their communication. Truly, these auxiliary words are the hidden gems of the Tibetan language, adding depth, richness, and a sense of engagement to its already mesmerizing tapestry.
https://bit.ly/3P5eZqS
In 641 AD, Songtsen Gampo, the Emperor of Tibet, conquered neighbouring kingdoms and desired a well-structured Tibetan language. He sent Thomi Sambota to study the Indian language system, who later recreated the Tibetan structural language, contributing to the development of Tibetan culture. From the 10th to the 16th century, Tibetan culture experienced significant growth. Over the centuries, Tibetans have brought us not only the well-known Buddhist masterpieces, the Kangyur and the Tengyur, but also remarkable works in cadences, literature, philosophy, history, geography, arithmetic, calendar, medicine, and more.
Grammar in Tibetan
The Tibetan language is a complex system that relies on function words, word order, and various categories of words to express grammatical rules and convey meaning effectively. In addition to function words, auxiliary words derived from verbs also play a crucial role in the language, serving similar functions. Understanding the different types of words used in Tibetan is essential to grasp the nuances and intricacies of the language.
Tibetan words can be broadly classified into nine categories, each serving a distinct purpose in communication. These categories include nouns, verbs, numerals, adjectives, pronouns, conjunctions, adverbs, auxiliary words, and exclamations. Each category contributes to the richness and flexibility of the Tibetan language, allowing speakers to express their thoughts and emotions with precision. Verbs are one of the fundamental components of the Tibetan language. They describe actions, states, and processes. Just like in other languages, verbs in Tibetan can be conjugated to indicate tense, mood, and aspect. For example, verbs can be modified to convey past, present, future, and conditional tenses, enabling speakers to express events that have occurred, are happening, will happen, or may happen.
Verbs in Tibetan also undergo changes based on the subject and object of the sentence, adding further layers of complexity to the language. Adjectives are another significant category of words in Tibetan. They modify nouns and provide additional information about their qualities or characteristics.
Adjectives can express various attributes such as size, colour, shape, and emotions, enhancing the descriptive power of the language. Tibetan adjectives can be used to paint vivid pictures and evoke specific imagery in the minds of listeners or readers, making the language both expressive and engaging.
Numerals play a vital role in counting and quantifying objects or quantities in Tibet. They enable speakers to express quantities, measurements, and ordinal numbers. Tibetan numerals are unique and have their own symbols, distinct from the Arabic numerals commonly used in many other languages. This feature adds an element of cultural identity to the language, reflecting the rich heritage and traditions of the Tibetan people.
Auxiliary words are derived from verbs and serve as functional elements in Tibetan language. They assist in constructing complex sentence structures, expressing modality, and indicating relationships between different parts of speech. Auxiliary words in Tibetan contribute to the grammatical accuracy and coherence of sentences, ensuring clarity in communication. Understanding the various categories of words in Tibetan is essential for mastering the language. It allows speakers to form coherent sentences, express their thoughts and emotions, and engage in meaningful conversations.
By utilizing function words, word order, verbs, adjectives, numerals, and auxiliary words effectively, Tibetan speakers can convey their ideas with precision and elegance, enriching the beauty and charm of the language.
Verbs
Tibetan verbs are divided into transitive and intransitive verbs. Transitive verbs are used to construct simple Tibetan sentences and require an auxiliary word after the subject to match the verb. A typical Tibetan sentence follows the "subject-object-verb" order, a characteristic of transitive verbs. Tibetan verbs can also be classified as active or passive based on the subject's restriction on the verb. Active verbs may have the imperative form, while passive verbs do not.
Tibetan verbs consist of a root, which carries the verb's meaning, and an ending, which indicates tense. There are eight uses of Tibetan verbs to express different tenses and voices, including the present, past, future, perfect, progressive, and subjective mood. For the simplest and most common verb form, the root plus a specific ending can be used for the present and future tense. To form the past tense, replace the ending or add an auxiliary word.
Adjective
Tibetan adjectives play a crucial role in the language, serving two significant functions: modifying nouns and acting as predicative elements. By delving into the intricacies of these functions, we can gain a deeper understanding of the richness and complexity of Tibetan grammar. When an adjective is employed to modify a noun, it adds descriptive characteristics and provides additional information about the noun it is associated with. This modification allows for a more nuanced expression of ideas, allowing speakers to convey precise meanings and create vivid imagery. For example, if one were to say "beautiful flower" in Tibetan, the adjective "beautiful" would modify the noun "flower," creating a more evocative description.
On the other hand, Tibetan adjectives can also function as predicative elements. In this context, the adjective acts like an intransitive verb, expressing a quality or status directly related to the subject of the sentence. It is important to note that when used as a predicative adjective, Tibetan grammar dictates that it must be followed by an auxiliary word, rather than an object. This grammatical structure ensures clarity and coherence in sentence construction.
For instance, if one were stating "The sky is blue" in Tibetan, the adjective "blue" would serve as a predicative element, denoting the quality of the subject "sky." To form a grammatically correct sentence, the adjective "blue" would be accompanied by an auxiliary word, emphasizing the linking nature between the subject and the adjective. Understanding the intricacies of Tibetan adjectives not only allows for effective communication but also unveils the beauty of the language itself.
By utilizing adjectives, speakers can paint vivid mental pictures, evoke emotions, and provide a more precise representation of the world around them. The unique structure of Tibetan grammar, particularly when it comes to predicative adjectives, showcases the ingenuity and sophistication of the language, making it all the more captivating and intriguing for language enthusiasts and learners alike.
Numerals
Tibetan numerals, which adhere to the decimal system, possess a unique charm in their simplicity and elegance. With just one syllable, cardinal numbers effortlessly convey their numerical value. However, to express high-order numbers, such as hundred, thousand, ten thousand, a hundred thousand, ten million, and beyond, various words come into play, enriching the language and offering an intriguing glimpse into Tibetan culture.
In the realm of Tibetan numerals, each high-order number is represented by a distinct term. For instance, when the number reaches a hundred, the word "Gya" is uttered. It captures the essence of this significant milestone, adding depth and meaning to the numerical value. Moving forward, when the number climbs to a thousand, "Gsum" takes the centre stage, resonating with a sense of grandeur and magnitude. This word, like a melodic note, evokes images of vast landscapes, ancient traditions, and spiritual wisdom. As the numbers continue their ascent, another word emerges to represent ten thousand.
The term "chu" gracefully rolls off the tongue, carrying a weighty significance that transcends mere digits. It encapsulates the concept of abundance, prosperity, and limitless possibilities. The Tibetan people, with their deep-rooted spiritual beliefs, find solace and inspiration in the power of language to convey these profound intangibles. A hundred thousand, one of the higher-order numbers in the Tibetan numerical lexicon, is denoted by the word "Gya chu." As the syllables meld together in harmony, they paint a picture of vastness and infinite potential. This phrase, when spoken, echoes the whispers of ancient tales and the unity of a rich cultural heritage. It serves as a reminder of the resilience and strength of the Tibetan people, who have endured and thrived over the centuries.
When the numbers reach the pinnacle of ten million, the term "gong" reverberates with significance. Its resonance lingers in the air, symbolizing great magnitude and boundless energy. It is as if the Tibetan numerals, through their intricate web of words, invite us to explore the vastness of the universe and the interconnectedness of all things. Interestingly, in Tibetan numerals, the tens digit can be combined with the one's place number, resulting in a slight variation in pronunciation. This unique feature adds a layer of complexity and fluidity to the language, making it both intriguing and captivating. It allows for a seamless flow of numbers, effortlessly expressing numerical values while maintaining the elegance and simplicity that characterizes the Tibetan numerical system. I
n conclusion, Tibetan numerals not only follow the decimal system but also possess a distinct beauty in their representation of high-order numbers. Through the utilization of various words, each carrying its own significance, the Tibetan language captures the essence of magnitude, abundance, and unity. The combination of syllables in these words creates a symphony of meanings, inviting us to delve deeper into the rich cultural heritage and spiritual wisdom of the Tibetan people. With their unique pronunciation variations and fluidity, Tibetan numerals present a captivating linguistic journey that enthralls and engages the curious mind.
Auxiliary word
In the vast and intricate tapestry of the Tibetan language, auxiliary words play a crucial role in weaving together the threads of tense, relationships between sentence components, and even the subtle nuances of mood. These auxiliary words, like skilful artisans, add depth and intricacy to the linguistic fabric, enriching communication in ways that are both captivating and enlightening. One of the primary functions of auxiliary words in Tibetan is to indicate tense. With their skilled placement, these words can transport us through time, allowing us to vividly experience the past, present, and future within the confines of a single sentence.
By incorporating auxiliary words, speakers can effortlessly navigate temporal boundaries and effortlessly convey actions that have already occurred, are happening now, or are yet to come. This linguistic feature not only adds a layer of complexity to Tibetan but also enables the language to vividly depict the ebb and flow of time. Another captivating aspect of Tibetan auxiliary words lies in their ability to establish relationships between different components of a sentence. Just as a skilled conductor directs an orchestra, these words harmoniously guide sentence elements, ensuring perfect cohesion and clarity. They act as the glue that binds subjects, verbs, objects, and other sentence constituents, enabling the formation of intricate syntactic patterns.
By employing specific auxiliary words, Tibetan speakers can effortlessly convey the relationships between various elements, be it subjects and predicates, or adjectives and nouns, leading to a seamless flow of information and facilitating a deeper understanding of the message being conveyed. Moreover, auxiliary words in Tibetan possess the remarkable power to express a wide range of moods, from joy and excitement to doubt and uncertainty. Like an artist's brushstroke on a canvas, these words add shades of nuance and emotion to the linguistic landscape. They allow speakers to convey their thoughts and feelings with precision, painting vibrant pictures with words. Whether one wishes to express a sense of urgency, emphasize doubt, or evoke a feeling of surprise, Tibetan auxiliary words offer a rich palette of linguistic tools to create a compelling and engaging narrative.
In conclusion, the auxiliary words in the Tibetan language serve as indispensable tools for speakers to express tense, establish relationships between sentence components, and convey various moods. By deftly utilizing these linguistic gems, Tibetan speakers can navigate the intricacies of temporal boundaries, create seamless syntactic structures, and breathe life into their words, captivating listeners with the charm of their communication. Truly, these auxiliary words are the hidden gems of the Tibetan language, adding depth, richness, and a sense of engagement to its already mesmerizing tapestry.
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Kangding County (康定县) could be one of the most beautiful places you’ll ever see in your life. Although it doesn’t have the pomp and pageantry offered by the glitzy cities of Beijing and Shanghai, it offers the more laid-back “bring yourself close to nature” way of living. It is also primarily uplifted by the many tourist attractions that are within the area.
The Gongga Mountain is located in Moxi Town. Passing by, you can catch a glimpse of the towering Wuse Mountain, which stands over 6,000 meters. You can begin the trip at the base camp, where you can prepare your gear and self for quite a long and challenging walk. There are different trails you can follow, though, so you can choose the one that makes you feel comfortable. Nevertheless, going to the top can be fueled by the fact the mountain is one of the highest around Tibet and China. Along the way, you can see interesting and unique vegetation and streambeds that feed clean water.
From the ancient city, you can proceed to Xinduqiao Town for some sense of modern civilization. There are more establishments here, where you can hang out with newfound friends, without having to be too far from the captivating views of Kangding such as the snow-capped mountains and the vast green lands. It’s also an area where you can find different types of accommodation. When you wake up, the town gives you a breathtaking visa of the Gongga Mountains.
Kangding is also populated by many temples, and a well-known choice is Tagong Temple, which has been improved, now with red walls. The highlight, however, shall be seeing the activities performed by the monks like walking around the temple while chanting. You can also see the fast movements of Tibetan prayer wheels.
If you want a more convenient choice for climbing mountains, you can go to Paoma where you can ride a cable car. If you want to save money, go by foot. Near the Paoma Mountain, mean while, is the ancient city of Kangding. Compared to other very old cities and villages in the country, this one still remains inhabited. A startling attraction shall be the flowing river right in the middle of the city. You can also dine in the many food shops that serve a true-blue Tibetan food and drink such as the yak yogurt. You can also try the yak tea with yak butter.
Address: Kangding County, Ganzi
Admission Fee: RMB 30 (Paoma Mountain cable car)
How to Get There: Take buses from Luding, Chengdu, Litang, and Tagong.
https://bit.ly/3swlueK
The Gongga Mountain is located in Moxi Town. Passing by, you can catch a glimpse of the towering Wuse Mountain, which stands over 6,000 meters. You can begin the trip at the base camp, where you can prepare your gear and self for quite a long and challenging walk. There are different trails you can follow, though, so you can choose the one that makes you feel comfortable. Nevertheless, going to the top can be fueled by the fact the mountain is one of the highest around Tibet and China. Along the way, you can see interesting and unique vegetation and streambeds that feed clean water.
From the ancient city, you can proceed to Xinduqiao Town for some sense of modern civilization. There are more establishments here, where you can hang out with newfound friends, without having to be too far from the captivating views of Kangding such as the snow-capped mountains and the vast green lands. It’s also an area where you can find different types of accommodation. When you wake up, the town gives you a breathtaking visa of the Gongga Mountains.
Kangding is also populated by many temples, and a well-known choice is Tagong Temple, which has been improved, now with red walls. The highlight, however, shall be seeing the activities performed by the monks like walking around the temple while chanting. You can also see the fast movements of Tibetan prayer wheels.
If you want a more convenient choice for climbing mountains, you can go to Paoma where you can ride a cable car. If you want to save money, go by foot. Near the Paoma Mountain, mean while, is the ancient city of Kangding. Compared to other very old cities and villages in the country, this one still remains inhabited. A startling attraction shall be the flowing river right in the middle of the city. You can also dine in the many food shops that serve a true-blue Tibetan food and drink such as the yak yogurt. You can also try the yak tea with yak butter.
Address: Kangding County, Ganzi
Admission Fee: RMB 30 (Paoma Mountain cable car)
How to Get There: Take buses from Luding, Chengdu, Litang, and Tagong.
https://bit.ly/3swlueK
Tibet Travel Maps ( in English & Chinese ), is a large collection of Tibet Autonomous Region map, which we chosen carefully. They will help you better explore the mysterious land of Tibet region.
The Tibet maps includes Tibet location map, detailed map of Tibet, Tibet political map, Lhasa map, Kailash Manasarovar map, Mount Everest map and Tibet transportation maps.
https://bit.ly/3L8BqKO
The Tibet maps includes Tibet location map, detailed map of Tibet, Tibet political map, Lhasa map, Kailash Manasarovar map, Mount Everest map and Tibet transportation maps.
https://bit.ly/3L8BqKO
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